Category Archives: Books

Authors Without Web Sites

Earlier this week I singled out author Anne Lamott for not having a web site. But the sad fact is she’s not alone. A number of noteworthy authors lack official web sites:

  • Jonathan Franzen
  • David Sedaris
  • Sarah Vowell
  • Alice Sebold
  • Kathleen Norris
  • Robert Pinsky
  • Seamus Heaney
  • David Rakoff
  • Russell Banks
  • Frederick Buechner (supposedly coming soon)

Granted I’m doing a quick Google search. If an official site doesn’t show up in the first page of results, it doesn’t exist (quite frankly, if you have a site and it’s not showing up on the first page of results for your name, you’re doing something wrong). Even Wendell Berry, the Kentucky novelist who still uses a typewriter has a web site (granted it appears to be maintained by his publisher). So why do none of these well-known authors have a web site?

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Why Doesn’t Anne Lamott Have a Web Site?

A couple weeks ago I discovered that one of my favorite authors, Anne Lamott, doesn’t have a web site. She’s got a Wikipedia page, the speaking agency representing her has a page, Salon.com has a list of her columns—heck, there’s even my Anne Lamott Squidoo page. But Anne Lamott herself has no official web site.

How can a well-known author not have a web site in 2008?

Sadly, I asked that same question in 2005.

So here’s the deal, Anne: Drop me a line and I’ll build you a web site.

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The Island at the End of the World Book Cover Design Contest

Cover design for Sam Taylor's The Island at the End of the World by Greg MatsonThis is a double whammy for me as I’m a sucker for well-designed book covers and post-apocalyptic fiction.

Penguin Books and Creativity have partnered to do a cover design contest for Sam Taylor’s forthcoming book, The Island at the End of the World. They solicited 300 cover designs, picked the top 25 and are sharing those online, and will pick the winner on Thursday. The winning design will be used when the book is published in 2009.

Perhaps I’m biased because it came up first, but I think the very first one is the very best one. It has a simple beauty to it. Love it. What do you think? (via kottke.org)

Observations from Reading the Harry Potter Series

Early this morning I finished reading Harry Potter and the Deathly Hallows, and so finished reading the entire seven-book Harry Potter series. I’ve read them all before, of course, but I wanted to do it one shot. It took about a month.

A few observations from reading the whole series at once:

Exposition Mania
It’s amazing how J.K. Rowling loves the exposition. Without fail every book in the series has a climactic moment that comes to a grinding halt while we bring on the exposition:

  • Sorcerer’s Stone – Quirrell explains everything to a stalling Harry Potter.
  • Chamber of Secrets – Tom Riddle stops to fill Harry in on everything instead of just calling the basilisk and getting it over with.
  • Prisoner of Azkaban – Sirius and Lupin have to recount the whole story of animangi and werewolves.
  • Goblet of Fire – Pick your expository moment! Voldemort tells Harry exactly how he came back, Fake Moody reveals exactly how he got away with it, or Dumbledore gets the full story from Harry (Harry sitting in Dumbledore’s office as exposition happens repeatedly).
  • Order of the Phoenix – A lengthy bit of post-climax exposition where Dumbledore explains everything to a raging Harry.
  • Half-Blood Prince – Since Malfoy can’t kill Dumbledore himself, he might as well do some exposition. While the climax is fairly exposition free, most of the rest of the book feels like cleverly disguised exposition.
  • Deathly Hallows – Another pick your expository moment! It could be Dumbledore’s brother before Harry, Ron and Hermione return to Hogwarts, or the entire chapter of Snape’s memories, or the psuedo-heaven sequence with Dumbledore (among others). This book could be divided neatly between daring action scenes, the three main characters arguing/plotting/camping, and exposition).

I’m not saying all this exposition is bad. These stories clearly need to fill in the details so you can know what’s happening. And for the most part, Rowling does that fairly creatively (though by the end I think the pensieve was cheating). I just think it’s amazing that she continually saved all the exposition for the end. After a while it starts to feel like you’re being strung along because you know all the pieces won’t come together until the very end.

Don’t get me wrong—I like exposition. I think most of the novels I’ve written have been exposition. I just don’t like it when the action grinds to a halt so we can fill in the missing pieces. I think it’s lazy.

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The Top 100 Movies/TV Shows/Music/Books I Don’t Enjoy

Entertainment Weekly released lists of the top 100 movies, TV shows, albums and books of the last 25 years. It’s kind of interesting to check out the lists and see how many of the top picks I’ve seen/listened to/read:

  • Movies: 42/100
  • TV Shows: 28/100
  • Music: 10/100
  • Books: 9/100

Keeping reading for disclaimers and inane insights.

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Prince Caspian: The Book vs. The Movie

On Saturday night I saw the movie Prince Caspian and yesterday I finished rereading the book. Much like the movie version of The Lion, the Witch and the Wardrobe, I felt like Prince Caspian the movie was so-so. After Peter Jackson’s incredible version of The Lord of the Rings, it’s just hard for The Chronicles of Narnia to measure up.

Prince Caspian is a great example of not measuring up, and I didn’t realize how badly until I finished rereading the book. The movie felt like lots of battle and not enough exposition in between. You never quite knew what was happening or why. The book is about the exact opposite: very little battle and loads of exposition in between. Turns out both battles in the movie (the raid on Miraz’s castle and the epic battle between the Telmarines and Narnians) aren’t even in the book (well, the epic battle is sort of in the book, though Caspian, Peter and Edmund fight for mere moments before Aslan shows up).

Seems like a bizarre choice to pump Prince Caspian full of battles when LOTR already covered that ground better than anyone will for a long while. I realize they needed to make the movie more epic and more climactic, but it seems like they were telling a different story.

Post-Apocalyptic Stories & Jericho

Not too long ago I went on a sci-fi bender and confessed my love for post-apocalyptic fiction. So it was really only a matter of time before I checked out last year’s new TV drama Jericho (and thanks to the joyous world of glitchy online video, I can catch up for free). The show focuses on an isolated Kansas town after nuclear blasts (war? terrorism?) leave the United States decimated.

It’s basically the story I imagined again and again while playing G.I. Joe during summer vacations in Kansas. At one point I even plotted my own post-apocalyptic/Christian end times crossover novel. It involved turning the state of Kansas into a concentration camp for Christians and a young convert running supplies in a beat-up Mustang. The hero even had a bloodied Bible that belonged to his martyred parents. Not exactly my best work.

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