Dear Bands and Musicians: I like your music and want to support you. How do I do it?
Solution: I think every band/artist/musician needs a tip jar.
Continue reading Music Needs TippingDear Bands and Musicians: I like your music and want to support you. How do I do it?
Solution: I think every band/artist/musician needs a tip jar.
Continue reading Music Needs TippingThis year I listened to 62,011 minutes of music (more than 97% of users), accounting for 7,645 songs, 3,550 different artists, and 118 different genres. My most played genres of 2023 were alt-z (huh?), pop, indie pop, modern rock, and rock.
Here’s 2021 and 2022 data to compare.
Kind of a girl-powered punk/pop vibe in my top songs. More of that in my 100 top songs of 2023 playlist, though it does start to diversify a bit.
Abby and I took a trip to Las Vegas over fall break to see U2. I’m not a fan of the spectacle of Vegas, so we opted for the spectacle of nature. We stayed at an Airbnb with goats in the yard, which kind of set the vibe for this wacky Vegas trip.
Today U2 released a four-album collection of remakes of their classic songs. It’s called Songs of Surrender, following the recent releases Songs of Innocence and Songs of Experience.
So yeah, they reimagined classic songs (worried yet?). Most of them are calmer or quieter, stripped back to acoustic guitar or piano. In some cases Bono has tweaked the lyrics (he’s often said songs are unfinished and these versions are more of what he intended).
My early takes on these things often change, but here’s my initial reaction:
I don’t know if U2 did anything here that’s going to blow anyone away. I’m not sure if they’re going to have any new singles (does they still do singles?) or get the kids interested in an old rock band’s quieter take on their old songs.
And I’m guessing that’s not the goal. This feels like a project for the fans. Or maybe themselves (I can’t image fans were clamoring for this). It reminds me of the album Double Take from the Christian rock band Petra that came out in 2000. It’s maybe interesting to fans, but unnecessary.
What do you do as an aging rock star? U2 has been reinventing themselves for 30 years, and this might be acceptance that they’re getting old. It’s about the opposite of the rock ‘n roll geezer weirdness of “Get On Your Boots” (“sexy boots!”). This album, paired with their Las Vegas residency, seems to indicate a new chapter. A quieter, stripped down, semi-retired chapter.
As much as I love U2, I have to admit it’s disappointing. But I also have to concede their recent albums are far from their best work. They have some great moments here and there, but a lot of it just doesn’t connect.
It’s not fair. A bad U2 song would be a hit for anyone else. I’ll likely play this album a lot because there’s something just good about U2, even when they’re stripped down or not at their best. And what can you expect? Not every album can be Joshua Tree.
I just keep hoping for a Johnny Cash-like late chapter in U2’s career. We’re not there yet.
(This LA Times interview with Bono and the Edge gets at some of these critiques.)
It’s the time of year when we rehash the year with lists, so here’s my year in music. It’s courtesy of Spotify Unwrapped again, which is still a goofy, app-only, mess of a user interface. But oh well, the basics are there.
I listened to 47,914 minutes of music (more than 91% of users), accounting for 5,964 songs, 2,691 different artists, and 83 different genres. (Here are last year’s stats for the sake of comparison.) I play music while I work, often tuning the music out if I’m really focused, so that’s why I have such ridiculous stats.
Supposedly my top five genres are indie pop, pop, stomp and holler, rock, and alt z (what is alt z?).
I’m always looking for a good ear worm, so here are some highlights from my top 100 songs:
Last year my top 3 were Five Iron, U2, and Taylor Swift, so I guess things haven’t changed much?
So Spotify does this clever thing where they look at your listening stats and spit out a bunch of fun data. Unfortunately, they do it in this goofy app experience that’s pretty awful. But I pulled out the fun bits…
I listened to 43,344 minutes of music (more than 90% of users), accounting for 2,358 different artists, and 166 different genres.
Supposedly my top five genres are indie pop, ska, stomp and holler, bubble grunge, permanent wave. (I don’t know what half those words mean.)
Continue reading Spotify Wrapped: My Year in MusicWhat a crap week. It’s bad enough dealing with a pandemic and all the stress and worry that entails. Then police violence and the murder of George Floyd. Then tear gas and more violence and more death and Minneapolis burning. I don’t have the words.
(Speaking of words, people like to quote Martin Luther King Jr. about non-violence, but he also spoke about riots. Some context on those comments is especially helpful.)
Since I don’t have words, two songs come to mind this week.
The first is a protest song by Jayanthi Kyle called “Hand in Hand.” It was written in 2014 and, because of course, the lyrics are still quite relevant:
The day’s gonna come when I won’t march no more
But while my sister ain’t equal & my brother can’t breathe
Hand and hand with my family, we will fill these streets …Mr. Policeman
I can’t breathe
Lay down your weapons and your badges and listen to me
Jayanthi is also in a chorus group called Give Get Sistet that’s pretty amazing. Nobody is doing performances right now, cuz pandemic, but they’d be an ideal group to bring in right now.
The other song I thought of was Ben Kyle’s “Minneapolis.” The lyrics aren’t nearly as applicable, but the mournful “Oh, Minneapolis” captures about how it felt this morning to see images of the city smoldering.
O Minneapolis,
I saw you and Saint Paul kiss
Neath the moonlight in a Mississippi mist
Never saw a thing as beautiful as this
Oh Minneapolis
Rain down, purple rain (I wanna hear the sound)
I wanna feel the royal rain on me
I wanna feel the holy water running like a holy stream
I wanna be baptized in the city in the Mississippi
The new U2 album, Songs of Experience, came out today. For the last several U2 albums, I’ve blogged my impressions as I listen to the album for the very first time.
It’s a silly thing to do because I’m not very good at writing about music. But I like capturing my first impressions and then coming back later to laugh at my first take.
So here we go…
It’s always hard to judge a new album after hearing it for the first time. Am I liking it just because it’s U2? Is it initially catchy but won’t last?
I think it’s fair to say U2’s last several albums haven’t been major hits. How to Dismantle an Atomic Bomb seems like the last one I thought, yeah, I like that. No Line On the Horizon still feels kind of fuzzy in my mind (what are the hit songs? None? “Moment of Surrender” and “Magnificent” are my favorites, but probably not hits). Songs of Innocence likewise felt short on hits (though “The Miracle (of Joey Ramone)” got radio play and is probably my favorite).
Songs of Experience feels lacking in a signature single. I like “The Blackout,” but other songs feel like they’ll need to grow on me.
We’ll have to revisit these thoughts and see how wrong I am. (My previous takes on Songs of Innocence, No Line on the Horizon, and How to Dismantle an Atomic Bomb.)
Twin Cities band Romantica has officially released their new album, Shadowlands, after a five-year hiatus and a one-year delay. It’s been a long time coming, and it’s worth the wait.
Last year the band crowd-funded their new project and recorded it in a barn south of the Twin Cities. One of the rewards was a pre-Valentine’s Day show that I gushed about.
While the new album was done, and lucky backers like myself got copies, it never quite released publicly. Turns out the album landed a record deal and an official release, which happened last week. Now you can listen to the album on Spotify or Apple Music and buy a copy on iTunes or Amazon.
And you should buy a copy. It’s good. Continue reading I Love the Shadowlands Record by Romantica and You Should Too
Holy Week began yesterday morning with the waving of the palms. We stood outside our church on the corner of Ford Parkway and Macalester, savoring the little bit of sun that offered warmth against the bitter Minnesota cold. It may have been the first day of spring, but it was still in the 30s. We waved our palms to sing Hosanna, to fight back the cold, to celebrate the march toward Easter.
So with that backdrop I offer an Easter music list.
I’m always making mix CDs for my wife, and as I started another list for her, I realized I was collecting a lot of gospel songs. Most of my mixes are pretty random, so I decided to lean into the theme.
The result is a collection of music that speaks to faith and spirituality and hope and the gospel. I’m well beyond saying this is “Christian” music, but it is a collection of hymns, psalms and laments, tinged with that old-time gospel sound.