Category Archives: Music

What’s that song?!

OK, this happens to me all the time. I’m walking through a store (today it happened to be Best Buy) and suddenly I realize I’m nodding my head to the music playing over the store speakers. I try to catch a few words of the chorus, but thanks to the general noise of the store I barely manage a few snippets. I end up walking away slightly annoyed because I know I’ll never be able to figure out what song that was and track it down.

This has happened many times before and it happened again today. The song was being played in Best Buy, it was some hard rock song with female lead vocals (no, it wasn’t Evanescence). I caught something in the lyrics about ‘capturing my heart’ or something to do with ‘my heart’. I know, not too specific, but what can you do?

Anybody know any solutions to my musical dilemma?

UPDATE: (July 19, 2004) It was “Followed the Waves” by Auf der Maur. The line was “my heart lies to you.” I found it after reading about Melissa Auf der Maur’s debut album in Paste magazine. The fact that she played bass for Hole and Smashing Pumpkins made me think she just might be the artist I’d heard in Best Buy. Bingo.

You Just Don’t Cover U2

Dan Spencer, trombone player for the O.C. Supertones.The other day I interviewed Dan Spencer, trombone player for the O.C. Supertones, for an upcoming article (Spencer mentioned that half the band now lives in Nashville, prompting me to wonder if the band should be called the D.C. Supertones for Davidson County). Their seventh album, Revenge of the OC Supertones comes out on June 15. After Spencer mentioned U2, I asked if the Supertones were given a chance to take part in the In the Name of Love U2 tribute album, which song they’d cover. This was his commendable response:

“You just don’t cover U2. Unless you’re somebody like Johnny Cash, you just don’t do it. Even if we were offered a lot of money we wouldn’t do it, it’s just against our philosophy. I applaud the guys who can, I just think we’d butcher it. There are just some bands you don’t cover. You don’t cover the Beatles, you don’t do U2, you don’t do Bob Dylan. There are some guys that are untouchable.”

Yet the butchering does happen. Before details of the In the Name of Love album emerged, I pondered what CCM bands I’d like to see cover what U2 songs. Sadly, no one listened to me.

Romantica. No Way.

2004_05_01 romantica.jpgThat’s what I said when the music started playing. The sound was amazing, better than I expected. But the vocals made my jaw drop. That sounds like Ben Kyle, doesn’t it? I know that guy!

Steve Knight mentioned going to see the band Romantica when he came to town, and his fawning over the band and the fact that you can listen to their CD online prompted me to head over to the site and check them out.

From the first word of the first song I knew I recognized that voice. Could that be Ben Kyle? But this sounds amazing. This sounds like a full-blown, record-signed, professional band. Not that I don’t think Ben’s capable of that, but when did that happen?

Maybe you need a little background to be as blown away as I am. I went to college with Ben Kyle. He was the cool artsy, musical guy from Ireland. He had dreadlocks and an Irish accent. He teamed up with Luke Jacobs and they played some amazing acoustic folk music. We had them on our radio show, Mission Control, multiple times. In fact, I’ve got a few tapes of those performances and have been in the process of transferring them to my computer. Abby and I went to several Ben & Luke performances at local coffee houses.

After college I didn’t hear much about Ben Kyle anymore. I did track him down for a story about playing Irish music in pubs for passageway.org. I went to a show in Dinkytown and filmed his performance for the article, and one song is available on the site.

After that I never heard much about Ben Kyle. Every now and then I’d remember those accoustic songs, pull out my Mission Control tapes and hear them again. Occasionally I’d Google “Ben Kyle,” wondering what he was up to. I never did find him.

I guess that’s why it’s such an amazing, drop-what-I’m-doing, fawn-like-a-fan-boy thing. I didn’t expect to hear Ben singing, see Ben and Luke’s names and pictures on the site. I always thought Ben and Luke should plunge headlong into the music biz. Maybe that’s just me wanting to hear more of the local music I loved, but I always thought they’d go far. And maybe they’re not far yet. They’re a local band on a local label, but they have an amazing CD and are being reviewed in City Pages. It’s a start.

iTunes Legal Questions

So here’s an iTunes question: Say I buy a song on iTunes and then later buy the actual CD. When I rip that CD into iTunes, I now have two versions of said song, both legally acquired.

What can I do with the extra song? If I had an extra copy of a CD, I could simply sell it. But it’s not so simple with an extra digital file. It seems like I read a news story of someone trying to auction an iTunes song on eBay, but I never heard the fallout. I would guess something in the iTunes user agreement (who reads those things anyway?) would prohibit me from selling the song, but does it prohibit me from giving it away? (gee, maybe I should read those things)

It seems perfectly legit to me to resell the digital file just like I’d resell anything tangible in my home. As long as I don’t keep a copy of that digital file I’m selling (the copy from the CD would be a “different” file and I could certainly keep that one — afterall, I purchased it).

Unbelievable

William Hung: InspirationAmazing. The American Idol reject has his own album. An iTunes exclusive.

What’s really amazing is that Fox set this guy up as a complete loser to grab ratings. For some reason we like to watch people be humiliated, and the teaser commercial of William Hung seeing and Simon ripping into him was as bad as it can get. Only in America could you turn that around to commercial success. Right now it’s the #2 selling album on iTunes.

iTunes is Changing Everything

You’ve heard me go on and on about iTunes before, but I’m curious to know how it can further turn the music industry upside down.

Today Relevant magazine pointed out that Switchfoot’s song “Meant to Live” was up to #23 on the iTunes Top 100 Songs chart. Last I checked it was up to #22. Switchfoot’s recent appearance on The Tonight Show with Jay Leno certainly helped, as well as the fact that their latest album, The Beautiful Letdown (Amazon.com), has gone platinum.

But what’s really curious is the place of Christian music on iTunes. While Switchfoot is scoring high on the top songs list, the best they can manage on the inspirational charts is #35 with “Learning to Breathe” from the 2000 album of the same name. That’s because The Beautiful Letdown is classified as “rock” while their other albums are classified as “inspirational.”

The other oddity is that new music is not king. The Billboard charts usually tell us the best-selling albums, but it’s rare that an older album would make it on the charts. Yet iTunes top album charts lists albums like Tom Petty & The Heartbreakers’ Greatest Hits from 1993 at #51, Pink Floyd’s Dark Side of the Moon from 1973 at #56, and U2’s Joshua Tree from 1987 at #93.

The iTunes format is encouraging people to explore older music, enabling old albums to compete and beat brand new albums. The backlist is king. What are the record companies complaining about?

Though it’s interesting to note that individual songs are another story. The oldest song in the top 100 is from 1997 (the Verve’s “Bittersweet Symphony”) and 96 of the top 100 songs are from 2002 or sooner.

The ability to buy individual songs or complete albums is the most unique feature of iTunes, and it’s interesting to see what that does. The only repeat on the lists of top 10 songs and albums is Maroon 5 with “This Love” and Songs About Jane.

The other unique factor is that iTunes is an incredibly cheap delivery system. I wonder how long it will be before record companies take advantage of this and start releasing review copies of albums through iTunes. I have to imagine that the distribution cost of iTunes would be cheaper than writing off a full album package or even burning extra minimally packaged review copies as many record companies do, not to mention the postage involved. It seems like the music would be better protected as well.

The music industry is changing before our eyes.

The Music Revolution

With the switch to a Mac you had to guess it was only a matter of time before the rant about iTunes and the musical revolution. While I’m still setting everything up on the new computer (hey, when you spend all day on your computer, it takes a while to get everything in order), my iTunes library has been in heavy rotation.

A few days ago we began ripping every CD in the house, and I think we might be done, save for a few random CDs here and there. The grand total is 5,360 songs. That’s 13.7 days worth of music taking up 18.53 GB (It’s a good thing I went for the 160 GB harddrive over the 80 GB). Let’s take a look at the top 5:

221 songs: U2
146: Five Iron Frenzy
133: MxPx
128: Petra
97: Delirious

Of course how many songs I own by a particular group isn’t much of an indicator. Five Iron probably nabbed the second spot thanks to the 33-track Cheeses of Nazareth album. And MxPx is up there thanks to a number of review copies and best of’s (I even have another MxPx album that I couldn’t rip thanks to copy protection to keep reviewers from leaking the album). And of course Petra is up there because I bought every album I could in junior high. What was I thinking?

My list of most played tracks means nothing so far (Simpsons quotes take the top 5), and with 5,000 tracks, I imagine it will take a while before that list does mean something.

The first track I “bought” with iTunes (thank you, Pepsi) was Green Day’s rendition of “I Fought the Law” used in the iTunes Super Bowl commercial. The original was one of my favorite songs on one of my dad’s oldies tapes. My second iTunes “purchase” was the JXL Radio edit of Elvis Presley’s “A Little Less Conversation.” from the Elvis: 30 #1 Hits album. I’m a little behind the game on that one, but I really like the dance mix. And my third iTunes “purchase” was Johnny Cash’s “The Devil’s Right Hand” from the posthumously-released Unearthed boxed set. I love the simple electric guitar in that song.

“I Fought the Law,” Elvis, and Johnny Cash. I think my dad would be proud.

And thus begins the music revolution. All I need now is an iPod. Then my 5,000+ songs would fit in my pocket rather than the drawers and shelves and boxes they currently take up. And while that’s a ridiculous amount of music (almost two weeks worth!), it allows me to listen to whatever I want, whenever I want. I’m freed from the tyranny of media (to some extent). I no longer have to deal with the limitations of CDs — listening to someone else’s track list, or only being able to fit 76 minutes.

iTunes is a new experience, but it’s liberating already. I’ve rediscovered music I own but haven’t listened to in a while. And chances are I’ll listen to it more in the future since I won’t have to dig the CD out of storage. I’m discovering new music and those gems buried in albums of duds. I’ve rediscovered a vast collection of indie music I forgot I had.

Music at my fingertips. What a concept. The music industry is being turned on its head, and it’s great. The album is dead, and I say so long. It was never an artistic vehicle in the first place, it was a profit vehicle. Now I’m in control of my music — giving the customer choice. What a concept.

Farewell Sixpence

In case you haven’t heard, Sixpence None the Richer is calling it quits. The announcement was made in the latest issue of CCM Magazine (but don’t look for details online — yet). No real big reasons were given, though I can think of a few (namely facing a major legal battle to release practically every record they ever recorded). Leigh Nash plans to be a new mom and Matt Slocum has some travel plans.

It’s a bit sad to see such a good band go. Sixpence definitely made some mainstream waves. I remember a rare moment on Late Night with David Letterman where he interviewed Leigh Nash and she explained where the band name came from, citing C.S. Lewis’ Mere Christianity. A nice moment for network TV.

I’ve never been a huge Sixpence fan, mainly passing over their chart-busting self-titled release, but I’ve really taken to their last album, Divine Discontent. My favorite song without a doubt is “Paralyzed.”

Oh well. Farewell Sixpence.

In the Name of Love

My article on the U2 Tribute album, In the Name of Love, posted on passageway.org last week. I say “my” article, but it took some heavy hits in the editing department. Maybe 3/4 of it is mine. So if you don’t like it, it must be the other 1/4.

My favorite axed quote helped to establish just how involved Bono is in humanitarian efforts: U2’s guitarist the Edge recently joked that they could finish the next album if “Bono can just tear himself away from saving the world for long enough to finish the lyrics.” (Telegraph, reported in @U2).

While I’ve interviewed a handful of the artists involved and written about In the Name of Love, I still haven’t reviewed the album. I’m waiting to get a full copy (I’ve only heard half of it), though the biggest complaint I’ve heard is just how much of a charity the project is or isn’t.

I’ve heard reports that only 50 cents of every album will be donated to charity, which sounds pretty weak. Maybe that’s standard charity album proceeds, but on a $12 CD someone’s still making money. I’ve heard reports of different Christian bookstores and Sparrow records chipping in cash to the effort, but it still seems odd that such a measley portion of the CD would go to charity. One artist I interviewed even seemed to think they recorded their song for free, though that wasn’t true. The publicist involved told me all the artists were being paid as they normally would, so it’s not much of a charity case on the part of the artists (unless they decide to donate their income).

The project seemed like such a great idea whose time had come, but I’m not so sure now. The execution of that idea might be killing it.