Learning How to Write Fiction Again: Point of View

Yesterday I hinted that I’ve dusted off one of my old novels for [some more] editing. I don’t do a lot of fiction writing, but I do a lot of fiction reading, and it’s helping me see what kind of edits I need to make. Sometimes the edits I need to make are painfully basic. It’s like I need an re-introduction to the elements of fiction writing.

Point of view is one of the big issues I’m dealing with.

It’s pretty important because it determines how the reader views things and decides what you’re allowed to see and what you’re allowed to know. There’s the basic first person (I say this, I do that, I jump up and get down) vs. third person (he says this, he does that, look at him jump up and get down) decision, which I managed to do OK. Yay for me.

But when you choose third person, you’ve got three options: Omniscient (you know everything), limited omniscient (you know what one character thinks) and objective (you only know what you can see). There are pros and cons to each, but you’ve got to pick one and stick with it (duh).

My story basically went with omniscient. But then I mostly followed a single character, making it feel like limited omniscient and confusing people whenever I “head jumped” to a different character. Oops.

Nathan Bransford has a good quick summary of omniscient vs. limited omniscient, and sadly it’s something I need to re-familiarize myself with.

I feel like I need a fiction primer that does more than my elementary school book on writing and defines things, but goes that step further to tell me the pros and cons, the tips on how to do it better, the pitfalls to avoid. I suppose that’s called being a writer and working on this stuff more than once a year.

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